The Story of Great Music
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Introduction
What You Need to Begin5 Steps -
Classical Music Resources3 Steps
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The Renaissance and Baroque Eras1. Renaissance5 Steps|1 Quiz
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2. Early Baroque8 Steps|1 Quiz
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3. Handel7 Steps|1 Quiz
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4. Bach10 Steps|1 Quiz
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The Classical Era5. Haydn5 Steps|1 Quiz
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6. Mozart6 Steps|1 Quiz
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7. Beethoven5 Steps|1 Quiz
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The Romantic Era8. Early German Romantics5 Steps|1 Quiz
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9. French Romantics5 Steps|1 Quiz
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10. Masters of the Piano5 Steps|1 Quiz
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11. Romantic Opera6 Steps|1 Quiz
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12. Brahms5 Steps|1 Quiz
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13. Romantic Nationalism7 Steps
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14. Russian Romantics6 Steps
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The 20th Century15. French Impressionism5 Steps
There are 15 questions on this test, and all are required to mark the test Complete. Your progress is saved automatically. This enables you to review and check answers if you so desire.
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Finally, hints may be available for some questions.
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Question 1 of 15
1. Question
What emotion is appropriately evoked by the words and melody of this piece?
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Question 2 of 15
2. Question
Domenico Scarlatti composed many pieces in sonata form at a demanding level for which instrument?
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Question 3 of 15
3. Question
In addition to being a composer and violinist, Vivaldi was also a(n)…
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Question 4 of 15
4. Question
Which Latin word is the conventional term for telling a composer’s works apart from one another?
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Question 5 of 15
5. Question
Jean-Baptiste Lully, composer of French Baroque music, led an intriguing life. Which all of the following are FALSE?
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Question 6 of 15
6. Question
Which composer focused on music to accompany dance performances, and which on instrumental music?
Sort elements
- Lully
- Couperin
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Dance music: tune is secondary to visual performance
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Instrumental music: intricate tunes for intent listening
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Question 7 of 15
7. Question
True or False: One of Couperin’s distinguishing features is his choice of particular, rather than generic, names for his pieces.
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Question 8 of 15
8. Question
Which of the following might be Couperin’s greatest contribution to the development of music as we know it today?
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Question 9 of 15
9. Question
On which instrument is the following selection being played?
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Question 10 of 15
10. Question
What was the biggest hindrance to musical development in England during the middle of the seventeenth century (before Henry Purcell)?
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Question 11 of 15
11. Question
For which of the following reasons may Purcell be considered a great composer?
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Question 12 of 15
12. Question
Which of Purcell’s works survives in many films, completely separate from the play for which it was composed?
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Question 13 of 15
13. Question
Match the following musical selections from Purcell to their correct forms. There is one of each.
Selection 1:
Selection 2:
Selection 3:
Sort elements
- Selection 1
- Selection 3
- Selection 2
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Aria from an opera
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Sonata in three parts
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Sacred music for the church
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Hint: Which form(s) would be used for church music at the time? How many voices or instruments do you hear? Which form would be solely instrumental?
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Question 14 of 15
14. Question
Select all of the following which are true of Heinrich Schütz.
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Question 15 of 15
15. Question
Which composer, whose chorales built on well-known hymn tunes and whose instrumental music brought evening “concerts” to the church, was an inspiration to the later J. S. Bach?
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