Back to Course

The Story of Great Music

0% Complete
0/0 Steps
  1. Introduction

    What You Need to Begin
    5 Steps
  2. The Renaissance and Baroque Eras
    1. Renaissance
    8 Steps
    |
    1 Quiz
  3. 2. Early Baroque
    11 Steps
    |
    1 Quiz
  4. 3. Handel
    10 Steps
    |
    1 Quiz
  5. 4. Bach
    13 Steps
    |
    1 Quiz
  6. The Classical Era
    5. Haydn
    9 Steps
    |
    1 Quiz
  7. 6. Mozart
    10 Steps
    |
    1 Quiz
  8. 7. Beethoven
    8 Steps
    |
    1 Quiz
  9. The Romantic Era
    8. Early German Romantics
    9 Steps
    |
    1 Quiz
  10. 9. French Romantics
    8 Steps
    |
    1 Quiz
  11. 10. Masters of the Piano
    8 Steps
    |
    1 Quiz
  12. 11. Romantic Opera
    9 Steps
    |
    1 Quiz
  13. 12. Brahms
    8 Steps
    |
    1 Quiz
  14. 13. Romantic Nationalism
    10 Steps
    |
    1 Quiz
  15. 14. Russian Romantics
    9 Steps
    |
    1 Quiz
  16. The 20th Century
    15. French Impressionism
    10 Steps
    |
    1 Quiz
  17. 16. Finland, England, & America
    9 Steps
    |
    1 Quiz
Lesson Progress
0% Complete

The readings in this lesson mention multiple times that ideas, personal expression, and themes characterized Beethoven’s work, especially after his early period of imitating Mozart.

  • Take a piece not discussed at length in the reading (perhaps from the audio playlists), and explain how the opening section or movement displays the characteristics of a theme. At this stage in your learning, try to distinguish the tune (an important part of the piece you can hum) from a theme (a musical building block that gets used at different times, speeds, dynamics, and among different instruments).
  • One of the ways to more easily hear the personal expression present in a lot of Beethoven’s works is to listen to a piano sonata and, immediately after, a harpsichord sonata by Handel or Bach. This is not to say that there is no expressiveness in the work of those earlier composers; but there is a recognizably different quality in how the compositions are written to take advantage of the elements of music—like frequent dynamic changes in Beethoven’s work.