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Writing with Hobbits

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  1. Introduction
  2. Lesson 1: Scene-Setting and the Inciting Incident
    2 Steps
  3. Lesson 2: Dialogue
    2 Steps
  4. Lesson 3: Travel Writing
    2 Steps
  5. Lesson 4: Narration and Point of View
    2 Steps
  6. Lesson 5: Grammar and Sentence Structure
    2 Steps
  7. Lesson 6: Creating Distinct Voices
    2 Steps
  8. Lesson 7: Some Thoughts About Plot
    2 Steps
  9. Lesson 8: Freytag's Pyramid
    2 Steps
  10. Lesson 9: Character Development
    2 Steps
  11. Lesson 10: Creating Problems, Solving Problems
    2 Steps
  12. Lesson 11: Managing the Reader's Attention
    2 Steps
  13. Lesson 12: Choosing to Tell Instead of Show
    2 Steps
  14. Lesson 13: Conversational Dynamics (Part 1)
    2 Steps
  15. Lesson 14: Conversational Dynamics (Part 2)
    2 Steps
  16. Lesson 15: Some Thoughts About Description
    2 Steps
  17. Lesson 16: From Rising Action to Crisis
    2 Steps
  18. Lesson 17: Disordered Loves, Reordered Loves
    2 Steps
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It is not unusual for external, non-character-driven events to happen to the characters in a story. But a good story can’t be driven only by external events. It’s not enough to have things “happen to” your characters. Your reader always wants to know  what the characters are going to do—how they will exert their wills, pursue their desires, alleviate their fears. That is the essence of character-driven action.

For this lesson’s writing exercise, you will practice mixing external action with character-driven action. Write a scene in which two characters experience the same external event, but act very differently in response to that event.

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