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Writing with Hobbits
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Introduction
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Lesson 1: Scene-Setting and the Inciting Incident2 Steps
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Lesson 2: Dialogue2 Steps
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Lesson 3: Travel Writing2 Steps
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Lesson 4: Narration and Point of View2 Steps
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Lesson 5: Grammar and Sentence Structure2 Steps
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Lesson 6: Creating Distinct Voices2 Steps
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Lesson 7: Some Thoughts About Plot2 Steps
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Lesson 8: Freytag's Pyramid2 Steps
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Lesson 9: Character Development2 Steps
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Lesson 10: Creating Problems, Solving Problems2 Steps
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Lesson 11: Managing the Reader's Attention2 Steps
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Lesson 12: Choosing to Tell Instead of Show2 Steps
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Lesson 13: Conversational Dynamics (Part 1)2 Steps
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Lesson 14: Conversational Dynamics (Part 2)2 Steps
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Lesson 15: Some Thoughts About Description2 Steps
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Lesson 16: From Rising Action to Crisis2 Steps
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Lesson 17: Disordered Loves, Reordered Loves2 Steps
Lesson 2,
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Writing Exercise
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It is not unusual for external, non-character-driven events to happen to the characters in a story. But a good story can’t be driven only by external events. It’s not enough to have things “happen to” your characters. Your reader always wants to know what the characters are going to do—how they will exert their wills, pursue their desires, alleviate their fears. That is the essence of character-driven action.
For this lesson’s writing exercise, you will practice mixing external action with character-driven action. Write a scene in which two characters experience the same external event, but act very differently in response to that event.