Filmmaking from the First Directors
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Introduction6 Steps
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Lesson 1 - Documenting Life: Edison & Lumiere8 Steps
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Watch: The Big Picture (13 min video)
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Watch: Films - "Let's Go to the Movies" (3 min video)
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Watch: Films - Muybridge, Lumiere & Edison (20 min video)
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Watch: Films - "How You See It" (8 min video)
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Watch: Production (13 min video)
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Assignment: Filming an Action (2 min video)
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Submit: Link to Finished Film***
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Watch: Films - Lumiere & Edison Films (external links)
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Watch: The Big Picture (13 min video)
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Lesson 2 - A Magical Story: George Melies8 Steps
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Watch: The Big Picture (19 min video)
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Watch: Films - Milies Shorts (18 min video)
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Watch: Films - "A Trip to the Moon" (1902) (12 min video)
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Watch: Production (16 min video)
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Assignment: Scripting & Filming a Simple Story (7 min video)
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Read : Screenwriting Software
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Submit: Link to Finished Film
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Watch: Films - More Melies Films (external links)
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Watch: The Big Picture (19 min video)
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Lesson 3 - Editing Action: Edwin S. Porter6 Steps
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Lesson 4 - Multi-Shot Narrative: D.W. Griffith6 Steps
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Lesson 5 - Parallel Editing & More: D.W. Griffith7 Steps
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Watch: The Big Picture (19 min video)
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Watch: Films - "The Lonedale Operator" (1911) (16 min video)
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Watch: Films - "The Unchanging Sea" (1910) (13 min video)
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Watch: Films - "Corner in Wheat" (1909) (14 min video)
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Watch: Production (15 min video)
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Assignment: Lesson 5 (3 min video)
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Submit: Link to Finished Film
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Watch: The Big Picture (19 min video)
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Lesson 6 - Mise-en-scene - Framing, Depth, and Setting: D.W. Griffith6 Steps
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Lesson 7 - The First Epics - Introduction of the Feature Film8 Steps
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Watch: The Big Picture (22 min video)
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Watch: Films - Cabiria (1914)(2 hour video)
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Watch: Production (19 min video)
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Assignment: Lesson 7 (8 min video)
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Read: Selections from Aristotle's Poetics
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Read: Wikipedia entry on Screenwriting
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Assignment: First write an Outline, then a Simple Treatment
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Read: Screenwriting Books (external links)
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Watch: The Big Picture (22 min video)
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Lesson 8 - Feature Films & Auteur Theory: Maurice Tourneur7 Steps
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Lesson 9 - The Character of Comedy: Charlie Chaplin10 Steps
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Watch: The Big Picture (19 min video)
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Watch: Films - Kid Auto Races at Venice (1914) (6 min video)
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Watch: Films - The Tramp (1915) (26 min video)
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Watch: Films - The Immigrant (1917) (24 min video)
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Watch: Films - A Dog's Life (1918) (32 min video)
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Watch: Production (18 min video)
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Assignment: Lesson 9 (2 min video)
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Submit: Link to Finished Film
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Watch: Films - The Gold Rush (1925) (1 hour video)
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Watch: Films - How to Make Movies (1918) (16 min video)
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Watch: The Big Picture (19 min video)
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Lesson 10 - Comedy as Complex Sequence: Buster Keaton8 Steps
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Watch: The Big Picture (10 min video)
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Watch: Films - One Week (1920) (18 min video)
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Watch: Films - The Goat (1921) (23 min video)
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Watch: Films - Cops (1922) (18 min video)
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Watch: Production (17 min video)
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Assignment: Lesson 10 (3 min video)
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Submit: Link to Finished Film
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Watch: Films - The General (1926) (1 hour video)
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Watch: The Big Picture (10 min video)
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Lesson 11 - Documenting Life: Robert Flaherty6 Steps
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Lesson 12 - Realism and the Classical Cinema: Douglas Fairbanks and John Ford5 Steps
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Lesson 13 - Formalism and Montage: Sergei Eisenstein3 Steps
Read: What You’ll Need For This Class
You’ll need a few pieces of equipment in order to take this class. There’s no one “best” option (other than the option that fits your budget).
One of the key steps to being a filmmaker is figuring things out for yourself. If you’re not sure about something, ask questions in a search engine and research your options, then make a decision. You really can’t go wrong. Learning by reading reviews is essential for a budding filmmaker.
1) Digital Camera – There are lots of options, any of which will work: a digital camera with a built in lens, a DSLR or mirrorless camera, or a prosumer digital film camera (among many others). Older equipment is fine, too; you don’t have to go out and buy the newest camera. Some phone cameras are also acceptable but not ideal: many only have a wide angle lens which will make it difficult to get closeup and medium shots without distortion. They also have auto-exposure issues that can means your exposure can suddenly change if you pan from a dark area to light (or vice versa). Whatever camera you get, you should be able to look it up on YouTube to find a good video explanation of how to use it.
2) Video Tripod with Fluid Head – It’s important that you have a fluid head so you can pan and tilt. Look at the tripod specs to see what kind of camera it is designed for. Search Amazon for “video tripod.” Look at the specs and read the reviews to see what’s best for you. Don’t spend too much – you’re just starting out.
3) Computer – You’ll need a computer that you can transfer your digital film files onto and then edit them.
4) Digital Editing Software – Every year, new free options show up, so you can just look for “free editing software” in a search engine to see what is available. It’s better to get programs you can download to your computer, however, instead of having to upload footage to the cloud.
Apple computers either come with iMovie or it you can download it free in the App Store. PC’s sometimes have editing software built in, but sometimes don’t – you’ll just need to search online for a good free option.
There are also some professional editing programs that are available for free, such as Da Vinci Resolve; they will require some training to understand, however. You can also purchase Apple’s Final Cut Pro or subscribe to Adobe Premiere (which offers student pricing), among others. You just need a program that will enable you to edit video and audio clips on a timeline and utilize basic transitions. Professional programs will give you the most control, but they certainly aren’t required for this class. If you aren’t used to them (or willing to spend many hours learning how to use them), they could be more trouble than they are worth at this stage.
In closing, if you can borrow equipment from friends, do it. It’s always nice to try things out before buying. And remember: there are so many good options out there now, you can’t really go wrong.